Bouncers repress at full blast. ? Was heckling,? Yelled,? Has jostles. Adolescent suffocate. The event has nearly thousand “registered” on Facebook, they are almost as trying to sneak on the outskirts of The International – some even waiting patiently since the end of the afternoon. The gauge has exploded long time ago when, at ten o’clock, five cats finally come on stage. “Good evening. We Fauve. Forgive me if? Apart a bit in all directions,” attack the singer, voice frail but alert.
In this third day of the new year, the small room of Moret street in the 11th arrondissement of Paris, odors arena. After five services archi-shielded, two Leather end of 2012, Tan gives the sixth concert of his short life. The show is free, as the four songs that the group has “balanced” to date on its website, each time accompanied by a home video. Downloaded, exchanged recommended compiled their reticular fortune is more to do. To satisfy the ever-growing pack of fans, a “big EP” is promised for spring. As for the album, “we’ll see later.”
Boiling among the twenty-somethings that make up the bulk of the assistance, some oil majors lurking beast. “Indie” to the end of the tail, the combo has declined offers from several labels, majors as independent, but has signed with Asterios, one of the most important countries turners. They say: “a runaway around us, but we do not want to grill the priority is concerts, play, forward is not mature enough?…”
T-shirts, jeans, hats, scattered rings: the setting is simple, period. The five boys have been dating since high school, but playing together since “a year and some.” They have 27 years. Age rock age “hinge”, by their own admission. This sudden fame, they had imagined ten years ago, not expecting more. All work “at heart tee” to pay the rent. They live music as an “Erasmus”, a “bracket”, a “mask” or lawyers yuppies day, wild night.
That night, they ranting against the “limit” of the room, which prevents them from playing stronger. Fawn, they trained to roar their “overflow of emotion” and “fuck the blizzard.” A gesture “selfish initially spontaneous.” On their pale and hairy face, a videographer, a full member of the quintet, planning their logo: the symbol “not equal to”. Behind this “F” stylized crossed behind this parallel is reading? A “sign”, a “totem”. Declaration of uniqueness aversion fences: Tan hears the same leap, get out of the ground, while playing partitions that separate it from its neighbors. One of them grew up among two sets of twins – a way onne you a man?. “Unwittingly, the others are a constant struggle,” one hears of St. Anne.
Paradox again: kids plastronnent to the idea of ??being interviewed by the venerable newspaper Vesper which their parents are subscribers, but demanded anonymity. “No names, just the pronoun” we “,” us ordered one. However, very quickly, “it” becomes “I” and “you” and “we” and “you”? Was tangling and confused, as in their songs. These songs, they tell of “sincere stories” experienced by all “us or our loved ones.” It likes boys and girls, “they” and “them,” the? Them.
“Sorry for the bad words”, the singer apologized to the public. Courtesy prank, Cador big heart, the raw candid words. He speaks of “making saplings Moon”, “stuff horny, life-saving, Cheating Death.” The flow accelerates, the language gets drunk its daring, its jerks. He raps, chants, burp often. Sings sometimes. ? A c ted his guitar-bass-percussion keyboards: group hybrid plays arpeggios new wave, pop choirs, rhythmic hip-hop?. They call? Has the “visual word spoken.” Dr? Animal that the tiger with five heads, wobbly, trivial perhaps, but full of enthusiasm, of going, pace.
Too young to have seen The wild Nights Cyril Collard in its release in 1992, they found out later on, but the title has long haunted. They made their mark:. “When we were children, this film was a symbol of danger, not when we found our name, the project has crystallized, the songs came naturally In painting, the Fauves. favored emotion precision. That’s right, Fauve. An intense color, a cap, a visceral thing, strong, urgent. ”
Idols radius, the kitties cite Aim?? Jacquet, the Pixies, the Wu-Tang Clan, Alexander Solzhenitsyn, Lou Reed, Albert Dupontel – “the list is too long.” Say from pleased families? T easy with population ancestries. Toulouse just a little Norman, gathered in the “necropolis” Paris, capital of solitudes they curse the “hardness”.
On the contrary, they dream Fauve as a “collective and inclusive craft” at the crossroads “projects”, the “steps” of “formats”. Texts, images, photographs, sounds, videos, Beast eats everything from everyone: “It leaves the door open to the maximum, there is the least possible barriers between us and the public People have sent us. texts on the Internet, we have integrated into our songs. ” Girls erotic fanzine Irene are in the room. They have collaborated on one of their clips, DIY wild images, captured, stolen, sampled on the sly.
On stage, a Fauve dare slow and shackled no tubes, Kane, Blizzard. In the crowd, it sways, it kept on shouting, arms in the air, lighter hand. Arnaud Fleurent-Didier crooner is in love, exactly. The Fauve speak of him as a “knight”, a “brother? Born.” Since he discovered them last summer, the author of The Reproduction spreading the good word, no missing concert. A song Fauve, unpublished, comparing the music to “epiphany” is the word.
Comes the ultimate anthem Nights beasts that cl? T the concert. “Well, it’s over. Fauve is called. Come, stay a little, we will drink shots at the bar.” Against the wall, a couple embraces feverishly. “Fine as a planet,” say the Beast. The night has just begun.
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